You can also find a review of all ACES-based colour spaces here:
p.s.: It’s not mandatory to pre-emptively convert footage files from their “raw” formats (in your case ARRIRAW) to ACES (OpenEXR as per SMPTE ST2065-4 specs) prior to using an all-ACES workflow – In fact, sometimes this is a cumbersome passage that you only do for additional reasons, but not a choice picked up by itself.