I did three comparisons:
- Color Science = ACES, ODT = Rec. 709
- Color Science = ACES, using “LMT Neon Suppression” CLF, ODT = Rec. 709
- Davinci YRGB Color Managed, Input Color Space = Blackmagic Design 4.6K Film Gen 3, Output Color Space = Rec. 709 Gamma 2.2
I’m far from a regular Resolve user, especially for non-ACES projects, so without a viewing LUT for BMD 4.6K Film Gen 3, I don’t know how you would properly render and view this image in regular Davinci YRGB mode.
Though it’s still not perfect, I prefer the LMT version.
Color Science = ACES, ODT = Rec. 709
Color Science = ACES, using “LMT Neon Suppression” CLF, ODT = Rec. 709
Davinci YRGB Color Managed, Input Color Space = Blackmagic Design 4.6K Film Gen 3, Output Color Space = Rec. 709 Gamma 2.2
