I have been using RED Wide Gamut RGB and Log3G10 in resolve (in a way they are applied by default)
with ACEScc workflow without any ipp2 LUT on top of it.
Generally you can then build your own looks there and adjust contrast and roll off as you like
without RED lut’s. It seems that most of the magic happens on cam side and WG and Log3g10 do read it fine to my eye.
I’m not sure if that is the correct way to do it but i personally like it more this way as i have more control over the whole process and those luts do not limit as much especially if you think artistic side in mind as pre made luts tend to jump with larger steps that you might want some time in precision work.