No you’ve actually made it clearer!
We did notice that the WP changed when we first started to use ACES. We figured it was to “cleanup” the green WP. Which, personally, doesn’t bug me that much.
But, could you please specify what you mean by: “but it’s important to note that depending on your exact projector setup it’s highly likely it will always clip to that green white point when using a P3-DCI setup.”
Do you mean here that in color grading your simply “virtually” adjusting the WP? The WP will always remain “in place”?
If so, I don’t see this as something wrong. It’s just part of the process… Would it be correct to say that?
And, what would be the advantage of using the PCF file VS just using the DCI-P3 ODT? Isn’t the result just the same?
Finally, what I was asking for what a way to bring images that we’re graded in ACES and rendered with the DCI-P3 ODT back in to Resolve to compare them to the original source material that has grades on them. I would not alter these images…
And, please indulge me… I never found an explanation as to why the green WP in P3. And also, if this was defined this way why do people change their WP to D65 or D60. Why not just “deal with it”?
Thanks!