I want to point you to two blog posts that we recently published about using our products Silverstack and Livegrade with the ACES formats AMF and CLF. In case you are interested in the exchange of grading metadata between film set, dailies creation, and post production, these two articles include a few thoughts about that from the perspective of our on-set applications.
ACES 1.2 and AMF with Silverstack and Livegrade
This article gives a brief overview explaining what AMF can do for your workflow on set and dailies creation.
Order of Operations for Creating Looks On Set and Color Grading Dailies
This article covers the typical order of grading filters and how that influences the transfer of look metadata between systems, including AMF and CLF.