I wonder what the exact workflow setting I should follow to color grade 14-bit RAW cinemaDNGs in ACES and linear in After Effects primarily, if not in davinci.
This was my previous workflow:
1- Set AE to 32 bpc and working space to rec 709.
2- Import cinemaDNG in AE via adobe camera raw. Select cinelog-C and fix WB, camera profile, remove nosie and sharpen and select correct lens profile. Nothing else.
3- Apply colorIO plugin and set input to cinelog-C and output to arri logC film matrix.
4- adjust exposure, saturation, vibrance, IR pllution etc.
If I want to work with ACES what should be changed in each step of my workflow?