This is a tautological statement.
If our question is about “error”, it is always enmeshed in the basis projection and the unit of metric.
Therefore, taking the Root Mean Squared is simply taking the square root of the mean square of the metric in question, which begs the question we are trying to answer.
If we consider that the CIE XYZ basis vectors are in scaled units of luminance, and that the luminance is uniform with respect to relative units of wattage, we can see an analysis point emerge. For every one unit of relative wattage input, are we sure that our colourimetric transformations maintain a relative energy invariance?
It is possible to show that the answer to this is “No”, and that there are implicit cognitive problems with the approach. A good example would be the sunset picture that @chuckyboilo showcased in the other thread.
Here is the OpenDRT rendering from @jedsmith which showcases a peculiar “lustre” in the interior of the “sunset” pictorial depiction. If we examine the sample line of the relative wattages down the right side, we can see that the interior of the sunset is at a lower relative wattage to the peripheral gradations, where the left side is lower relative wattage, and the right side is higher. The vertical spatial depiction is correlated with the graph “height”.
We know that the increment to decrement signals are categorical; the increment and decrement signals flow from the retinal assembly as two unique and distinct gradient signals, and are not integrated. Kingdom1 demonstrates this rather elegantly using a haploscopic fusion approach, and the “lustre” that emerges.
We can realize that the signal gradient strength is directly correlated to the electromagnetic radiation via transduction. “Derp up energy” and “derp down energy” as per the following diagram2, which illustrates a single constellation of an ON-centre cell, which has a sibling in the OFF-centre, and is the origin of the increment (ON-centre) and decrement (OFF-centre) signals themselves. We should remember there are three flavours of these twin ON and OFF identities, one of which can be loosely considered “luminance”:
Given that we know that luminance increments and decrements hold a privileged role in the visual system, we can see from the second picture that a luminance analysis of the stimuli from the picture is equi-luminant. The source of the peculiar “lustre” does not appear to be induced by a luminance polarity reversal:
If we look to the first picture with its corresponding plot, we can see that the basic colourimetric transformation has led to a cognitively dissonant “spreading” of the relative wattages such that the sensor quantal catch clipped region, would implicitly correlate to the highest quantal catch of the entire buffer; literally all other quantal catches would have been lower than this region.
A generic first stage “white balance”, using three coefficients would not change this relationship as an aside. Multiplying each plane by a varying coefficient would always yield the photosite saturated region as the highest energy relative to all other coordinates.
It follows that if one subscribes to a peculiar “lustre” in the formed picture, and we have some idea of the audit trail of OpenDRT to know that Mr. Smith’s effort does not rely on any relative wattage deforming functions, we can rule out the error as being a byproduct of the algorithmic approach they have chosen. This forces us to ask the question as to where this cognitively dissonant relative wattage error being introduced and why?
I believe a reasonable mind should be able to verify that the most basic colourimetric 3x3 leads to an energy invariance, which would have considerable influence on a visual system that is entirely oriented around increment to decrement signals.
All of this is completely moot if someone believes everything is all well and good in the formed picture. Go forth and prosper.
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1 Kingdom FAA. Lightness, brightness and transparency: A quarter century of new ideas, captivating demonstrations and unrelenting controversy. Vision Research. 2011;51(7):652-673. doi:10.1016/j.visres.2010.09.012
2 Snowden RJ, Thompson P, Troscianko T. Basic vision: an introduction to visual perception. Rev. ed. Oxford University Press; 2011.