Hi there
Sorry if this has been asked already. Bit of a random request. We’re shooting Sony Venice and using an ACES colour pipe to grade via Resolve. We’ve also shot some BETACAM SP footage for an archive scene. I’m trying to work out what settings for the IDT I should be using to get the footage to come into the Resolve timeline and appear as REC 709. Can anyone please recommend the correct settings to get this footage into Resolve. Thanks in advance