Here’s a link to filmmaker Marcus Dillistone’s website for The Troop Film and Redux.
Lots of great background on the original 35mm production and some new info on the Camerimage panel and re-formatting project: http://www.thetroopfilm.com/camerimage-2017.html.
Attending Camerimage indicates to me that someone is serious about cinematography, so I am looking forward to Friday morning’s Academy-led session, where a great panel will be looking at a range of issues surrounding ACES, and ACES in digital remastering, including (but definitely not limited to):
How ACES can help us to protect the look and future legacy of our projects.
How ethics are significant in film-to-digital remastering projects.
How an increasing number of commissioners require that ACES be employed.
How knowledge of ACES might present a career development opportunity for emerging talent and hardened pros alike.