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ACES and CML host Filmmaker Panel at Camerimage 2022
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0
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93
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November 5, 2022
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SMPTE Recognizes ACES with Workflow Systems Medal
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0
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69
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November 5, 2022
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Bill Baggelaar Joins ACES Leadership team as Project Co-chair
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0
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90
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October 27, 2022
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ACESCentral Dark Modes
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2
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108
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October 18, 2022
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ACES Adds New Companies to Logo Program - June 2018
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1
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2710
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October 6, 2022
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ProVideo Coalition Features ACES in Color Management Article/Video
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0
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100
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September 26, 2022
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Camerimage 2022 - Are you going?
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1
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155
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August 29, 2022
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ACES Community Talks Color at 2022 HPA Tech Retreat
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0
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290
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February 17, 2022
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The Colour Science #aces Slack Channel is Available Publicly on Matrix
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3
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369
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January 15, 2022
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Happy Holidays to the ACES Community!
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2
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207
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December 22, 2021
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ASC's StEM2 Film for Testing & Calibration uses ACES!
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0
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263
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December 15, 2021
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Gamut Compression Seminar
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0
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299
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November 5, 2021
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ACES Gamut Mapping Group Work Featured in CIC Keynote
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1
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268
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November 2, 2021
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ACES Presentation in Korea
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0
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246
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November 1, 2021
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Color and Post Pipeline: The Many Looks of Marvel’s WandaVision
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0
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327
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October 7, 2021
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ACES session today at 10:15a pt - ASWF Open Source Days
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4
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272
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August 9, 2021
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Linear Light, Gamma, and ACES
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1
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356
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July 4, 2021
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Sex Education Season 2 A Deep Dive into the End-to-End ACES Workflow
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6
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1684
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May 31, 2021
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New ACES training from No Film School
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0
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289
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April 19, 2021
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ACES, HDR and Creative Flexibility During a pandemic for Amazon’s Show “Unfortunate Stories”
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1
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521
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March 23, 2021
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Color Management Requirements for NextGen Production/Post
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0
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542
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March 15, 2021
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Introducing ACES Chat
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9
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579
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March 10, 2021
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Happy New Year!
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0
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363
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December 31, 2020
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Webinar: ACES ‘101’: Standards-based Color Managed Workflows
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6
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857
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November 6, 2020
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ACESCentral is getting a Refresh!
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12
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816
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October 12, 2020
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Thanks to our VWG and TAC participants...we're so appreciative!
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7
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1433
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June 30, 2020
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Virtual Roundtable: ACES for TV/Broadcast/OTT
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8
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1073
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June 10, 2020
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How can I list an ACES related event on the ACES Master Calendar?
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0
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725
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May 4, 2020
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Live Webinar: Integrating and Working with ACES 1.2
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0
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492
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May 4, 2020
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Cinematographer Bradford Lipson Uses Sony Venice and ACES on "In the Dark" Season 2 for The CW Network
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0
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542
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April 17, 2020
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