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About the ACES Info category
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0
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2231
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May 15, 2016
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What is Academy ACES?
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0
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10856
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May 1, 2016
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New Case Study for Netflix show "Smiley"
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0
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5
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March 29, 2023
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ACESproxy 12-bit definition
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2
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81
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February 22, 2023
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IDT for DCDM
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0
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101
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February 14, 2023
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Masterclass on Academy Color Encoding System (ACES) at IFFI (Goa Film Festival)
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1
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190
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December 14, 2022
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ACES and CML host Filmmaker Panel at Camerimage 2022
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0
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178
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November 5, 2022
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SMPTE Recognizes ACES with Workflow Systems Medal
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0
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129
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November 5, 2022
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Bill Baggelaar Joins ACES Leadership team as Project Co-chair
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0
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152
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October 27, 2022
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ACESCentral Dark Modes
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2
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167
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October 18, 2022
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ACES Adds New Companies to Logo Program - June 2018
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1
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2888
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October 6, 2022
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ProVideo Coalition Features ACES in Color Management Article/Video
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0
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151
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September 26, 2022
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Camerimage 2022 - Are you going?
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1
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231
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August 29, 2022
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Meet the product partners
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3
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3787
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July 27, 2022
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FilmLight Colour Awards
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1
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534
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May 10, 2022
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ACES Community Talks Color at 2022 HPA Tech Retreat
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0
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335
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February 17, 2022
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ACES 1.3 Now Available
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30
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12709
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January 27, 2022
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The Colour Science #aces Slack Channel is Available Publicly on Matrix
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3
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429
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January 15, 2022
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Happy Holidays to the ACES Community!
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2
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251
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December 22, 2021
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ASC's StEM2 Film for Testing & Calibration uses ACES!
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0
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311
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December 15, 2021
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Gamut Compression Seminar
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0
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349
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November 5, 2021
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ACES Gamut Mapping Group Work Featured in CIC Keynote
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1
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304
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November 2, 2021
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Geoff Boyle NSC FBKS
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7
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1081
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November 2, 2021
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ACES Presentation in Korea
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0
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284
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November 1, 2021
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Sous la glace winning 2020 GSA BAFTA Film Award in Animation
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8
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646
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November 1, 2021
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Color and Post Pipeline: The Many Looks of Marvel’s WandaVision
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0
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376
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October 7, 2021
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Survey re: NAB in Las Vegas - we need your input!
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1
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242
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September 3, 2021
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ACES session today at 10:15a pt - ASWF Open Source Days
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4
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327
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August 9, 2021
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Linear Light, Gamma, and ACES
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1
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394
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July 4, 2021
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Sex Education Season 2 A Deep Dive into the End-to-End ACES Workflow
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6
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1838
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May 31, 2021
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