ACES IDT for iPhone 13 HDR Rec.2100 HLG Dolby Vision
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7
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610
|
November 11, 2022
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ACES 2.0 candidates tests in SDR and HDR
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0
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415
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October 1, 2022
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From Backbuffer to capture in Davinci/Color Discrepancies
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6
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436
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April 18, 2022
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Guessig camera exposure before the shoot
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0
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236
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March 19, 2022
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Use same LUT for HDR/SDR
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4
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872
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February 2, 2022
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R3D HDRx artifacts on reflections and specular lights
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24
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1103
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October 25, 2021
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Extract RRT into a .cube LUT
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4
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556
|
September 10, 2021
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HDR Intent for Output Transform
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30
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1509
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February 21, 2021
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Resolve & ACES Export ProRes files with different ODTs and review them on MacOS
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0
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557
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April 29, 2020
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Final Cut Pro X 10.4.8 - HDR with DolbyPQ but sadly no ACES
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0
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1318
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April 18, 2020
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Mid gray luminance slider inside resolve
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2
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1858
|
February 25, 2020
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ACES and the ColorChecker - Part One
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19
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7673
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February 18, 2020
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Colour inaccuracies and config files
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24
|
4510
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August 1, 2019
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Color Managed Workflow in Baselight
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0
|
1260
|
January 21, 2019
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New indie horror film "Hoax" benefits from ACES - Article and video!
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3
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2377
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August 11, 2018
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Important: your input is needed
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2
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1054
|
July 11, 2017
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Output Transform Survey
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1
|
1290
|
June 6, 2017
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NVIDIA Advocates ACES for HDR Game Development
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1
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2403
|
March 23, 2017
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ACES workflow on Cafe Society
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0
|
2030
|
March 3, 2017
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ACES at HPA Tech Retreat 2017 - Learn more!
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0
|
1620
|
February 11, 2017
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Introduction to HDR - by Kevin Shaw, C.S.I
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0
|
1928
|
February 10, 2017
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About Product Partners: FireFly Cinema
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0
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1137
|
January 11, 2017
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ZDNet: Digitizing the analog film process: Why is this taking so long?
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0
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1503
|
December 20, 2016
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HDR Mastering
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1
|
2182
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November 23, 2016
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A Cinematographer's Take on HDR and ACES
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1
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6135
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October 24, 2016
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