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From Backbuffer to capture in Davinci/Color Discrepancies
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6
|
349
|
April 18, 2022
|
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Guessig camera exposure before the shoot
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0
|
184
|
March 19, 2022
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|
Use same LUT for HDR/SDR
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4
|
634
|
February 2, 2022
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R3D HDRx artifacts on reflections and specular lights
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24
|
881
|
October 25, 2021
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Extract RRT into a .cube LUT
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4
|
473
|
September 10, 2021
|
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HDR Intent for Output Transform
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30
|
1342
|
February 21, 2021
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Resolve & ACES Export ProRes files with different ODTs and review them on MacOS
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0
|
482
|
April 29, 2020
|
|
Final Cut Pro X 10.4.8 - HDR with DolbyPQ but sadly no ACES
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0
|
1191
|
April 18, 2020
|
|
Mid gray luminance slider inside resolve
|
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2
|
1721
|
February 25, 2020
|
|
ACES and the ColorChecker - Part One
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|
19
|
7022
|
February 18, 2020
|
|
Colour inaccuracies and config files
|
|
24
|
4166
|
August 1, 2019
|
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Color Managed Workflow in Baselight
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|
0
|
1199
|
January 21, 2019
|
|
New indie horror film "Hoax" benefits from ACES - Article and video!
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|
3
|
2293
|
August 11, 2018
|
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Important: your input is needed
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2
|
1018
|
July 11, 2017
|
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Output Transform Survey
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|
1
|
1235
|
June 6, 2017
|
|
NVIDIA Advocates ACES for HDR Game Development
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1
|
2305
|
March 23, 2017
|
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ACES workflow on Cafe Society
|
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0
|
1962
|
March 3, 2017
|
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ACES at HPA Tech Retreat 2017 - Learn more!
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0
|
1582
|
February 11, 2017
|
|
Introduction to HDR - by Kevin Shaw, C.S.I
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|
0
|
1882
|
February 10, 2017
|
|
About Product Partners: FireFly Cinema
|
|
0
|
1090
|
January 11, 2017
|
|
ZDNet: Digitizing the analog film process: Why is this taking so long?
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|
0
|
1465
|
December 20, 2016
|
|
HDR Mastering
|
|
1
|
2135
|
November 23, 2016
|
|
A Cinematographer's Take on HDR and ACES
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|
1
|
5868
|
October 24, 2016
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